From Princeton’s vault: The lost art of autograph canes

Placeholder author icon
By W. Barksdale Maynard ’88
1 min read

What: The rural folk tradition of cane carving briefly flowered into a ­college fad during the Civil War era. 

In 1863, Clay MacCauley 1864 returned from fighting in the Civil War, during which he was briefly imprisoned by the Confederates in Virginia, to a campus where there was an “epidemic of cane carrying and carving that spread among the undergraduates,” he later recalled. “Canes, big and little, graceful and ugly, slender and stout, became treasured personal property, and many hours were spent by the boys in passing canes about for the carving of their names."

By fall 1867, sophomores were snatching canes from freshman hands, denying them this dandified emblem. A year later at the inauguration of President James McCosh, the two classes suddenly battled in a “Siege of Canes” when freshmen dared twirl their sticks at the garden party on Front Campus. 

The riot became an annual custom, the classes colliding at midnight on Nassau Street or on the grassy sward behind East College, trying to grab canes in a bruising “cane spree.” In vain did McCosh wave his hands and shout, “Disperse, young men, or the bailiffs will be after you!”

Cane-carrying is extinct, but Cane Spree – in bloodless form – remains an ­autumnal tradition on campus.

Where: Collection AC53, Mudd Manuscript Library

0 Responses

Join the conversation

Plain text

Full name and Princeton affiliation (if applicable) are required for all published comments. For more information, view our commenting policy. Responses are limited to 500 words for online and 250 words for print consideration.

Related News

Newsletters.
Get More From PAW In Your Inbox.

Learn More

Title complimentary graphics