Darkening Mirrors: Imperial Representation in Depression-Era African American Performance

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By Leigh Batiste ’94

Published Jan. 21, 2016

(Duke University Press) This book examines African-Americans during the Great Depression. Batiste looks at how, even though they were treated as second-class citizens, they empowered themselves through artistic performance, specifically through reenactment of United States’ imperialism in westerns, dramas, dances, songs, jokes, and comedy sketches. Batiste is a performance artist and associate professor of English and Black Studies at the University of California, Santa Barbara.

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Terri Sewell ’86 at the Birmingham Civil Rights Institute, stands next to a portrait of civil rights leader John Lewis.
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