Amy Sarah Carroll ’90 examines the art produced in the era of NAFTA (1994-2008) in Mexico City and along the U.S.-Mexico border in REMEX (University of Texas Press), focusing on how artists express the city, women, and the border.
Amy Sarah Carroll ’90 examines the art produced in the era of NAFTA (1994-2008) in Mexico City and along the U.S.-Mexico border in REMEX (University of Texas Press), focusing on how artists express the city, women, and the border.