The caption of Ricardo Barros’ beautiful photograph of New South (On the Campus, April 10) says “the design … has not won much affection over the years.” As an architectural student who worked in the building and now a practicing architect, I have always admired the clear geometric integrity of the modernist Edward Larrabee Barnes design. It has worn well over the years in spite of the unfortunate infill of the open plaza at its base, which interrupted views to and from the building and compromised the reading of an elevated “jewel box” on a columned portico. In my opinion, it is a significant design and worthy of affection.
The caption of Ricardo Barros’ beautiful photograph of New South (On the Campus, April 10) says “the design … has not won much affection over the years.” As an architectural student who worked in the building and now a practicing architect, I have always admired the clear geometric integrity of the modernist Edward Larrabee Barnes design. It has worn well over the years in spite of the unfortunate infill of the open plaza at its base, which interrupted views to and from the building and compromised the reading of an elevated “jewel box” on a columned portico. In my opinion, it is a significant design and worthy of affection.