After arriving at Princeton in 2010, Isenberg began to answer those questions. Having learned that The Times of Trenton archive was searchable through Princeton’s databases, she researched Joseph’s life. Though just 19 when he was killed, Joseph had led a full life in which Princeton University played an important role. Isenberg’s inquiry led her to launch the first in-depth study of the 1968 Trenton riots and uncover information that raised questions about long-held perceptions of what had happened that day. Her work also has provided uncommon research opportunities for undergraduates.
Joseph was shot on the evening of April 9, 1968, following King’s funeral, in front of a store that had been looted. Police described him as a looter because merchandise from the store was scattered near him, but Joseph was a sophomore at Lincoln University in Pennsylvania and a member of the Trenton Mayor’s Youth Council. Through research conducted over the last four years — including interviews with dozens of Trenton residents — Isenberg found he had in fact been working to keep the peace. The officer, who was white, said the shooting was an accident, and he was cleared by a police investigation, according to The Times of Trenton.
Isenberg’s curiosity to learn more about Joseph has helped to establish The Trenton Project — a research, teaching, and “public humanities” collaboration with Purcell Carson, a documentary film specialist at the Woodrow Wilson School — that focuses on the intertwined Trenton-Princeton region in the 1960s. So far, more than 50 students have conducted research using primary sources as part of the project.
Isenberg learned that Joseph had spent the summer of 1964 as a participant in a little-known Princeton program that brought 40 New Jersey high school students from minority communities to campus for a summer course of study. It was an important turning point in his life, according to Joseph’s letters and accounts from his siblings, that helped improve his writing skills and awaken his interest in organizing against racial discrimination.
In 2018, Isenberg taught a seminar called “Performing the City: Race and Protest in 1960s Trenton and Princeton” with lecturer Aaron Landsman. Students in the class mined archival material on race and protest in the 1960s to examine how those issues intersected with Princeton. In “Documentary Film and the City,” co-taught with Carson, students made seven- to 10-minute movies that focused on Trenton, using the 1960s as a historical lens. History classes rarely include a filmmaking component, and undergraduates outside of film schools usually do not get the chance to produce their own short movies, Isenberg says.
Students have delved into records that have been tucked away for decades. “There is so much historical material nobody has looked at, and we are finding it in basements and attics,” says Isenberg, who took students to examine 80 boxes of records that had been forgotten in the basement of Mercer Street Friends, a Trenton nonprofit where Joseph had worked organizing youth programs. One student discovered a letter written to The Times of Trenton by the organization’s president asking the newspaper to stop referring to Joseph as a looter.
Students also have worked with the Trenton community extensively for their films, interviewing shop owners for a look at how downtown has changed in the last 50 years and talking to longtime residents to examine urban renewal in the Coalport neighborhood. The films have been screened at ArtWorks in Trenton, often drawing audiences of more than 100 residents who offer feedback and reflections on what they have seen.
“We’ve done deep dives into very specific corners, communities, and issues in Trenton,” Carson says. “When we’re at our best, I think The Trenton Project has been successful. I sense that most strongly when people are gratified by participating, moved by the results, inspired to talk about and share the films — and, more broadly, when they see how their neighbors’ stories connect to their own lives.” Carson and Isenberg are in the final stages of completing a 30-minute documentary centered on the untold story of Joseph’s life and the Trenton uprising, and Isenberg also is writing a book. Their film disputes the notion that the subsequent economic decline of the city largely hinged on the damage done that night by angry citizens.
Watch student films about Trenton history at thetrentonproject.com
Using police and fire records, interviews, and newspaper accounts, the researchers found that fire and property damage was actually “a fraction of what was originally reported. As in many U.S. cities, Trenton’s ‘riots’ became a simplified explanation for that city’s economic struggles since the 1960s,” Isenberg says. “Many of Trenton’s deepest problems — deindustrialization, the relocation of retail business to the suburbs, structural racial inequities, and the massive destruction achieved by Trenton’s urban-renewal projects — date to the 1950s and earlier.”
Isenberg says her investigation into what happened on the night Joseph was killed — and the way she has connected her work to the Trenton community — demonstrates how historical research can contribute to current conversations about the city’s future. “I would like this work to address some misconceptions about the city in 1968 and create just enough space for new stories about the past to take hold,” she says. “We can’t know where those stories are going to take people. But Harlan Joseph’s life, on its own terms, is an inspiring and empowering example.”
A Walk Through 1960s History
A class project assigned by history professor Alison Isenberg on student life in the 1960s offered the family of Javier Johnson White ’67 — who died at age 42 after a lifelong illness — a chance to meet and reminisce with his friends from his college days for the first time.
Maria Jerez ’19 researched White’s life — his experience as an undergraduate and as a counselor in a little-known University summer program for minority students — for the class “Performing the City: Race and Class in 1960s Trenton and Princeton,” co-taught with lecturer Aaron Landsman. Jerez, who chose White because she was interested in understanding the experience of a Hispanic student at Princeton, created a historical walk through campus that offered details of his life in the spots that were significant for him.
White’s son and daughter, along with some of his grandchildren, came to Princeton last November for the walk, where they traded recollections with several of White’s classmates, including Bob Bernstein ’70, Steve Dawson ’70, Paul Haaga ’70, and Brent Henry ’69. Historical walks led by students were attended by more than 160 alumni and their family members during Reunions in 2018 and 2019.
White, along with many of Princeton’s small number of black undergraduates, worked for the summer program’s first session, in 1964, and spent six weeks mentoring high school sophomores to help prepare them for college. One incident from the summer remains etched in Dawson’s mind. When he and a few other African American summer program students visited a barbershop on Witherspoon Street, the barber told them he didn’t have the right kind of clippers to cut black hair and suggested they go to a different shop. That experience awakened his understanding of racial injustice, Dawson says. He remembers the counselors, especially White, urging the students to organize and protest being refused service.
“We didn’t think we should challenge authority,” Dawson says. “But Javier told us, ‘That’s what students do. It’s up to you to change things.’ We were really inspired by him.” The students wrote a letter to the Town Topics newspaper, and the mayor of Princeton and University President Robert Goheen got involved in the controversy on the high school students’ behalf.
The group paused at McCosh Health Center, where Jerez read from medical records that referred to White missing exams after a stay in the infirmary, part of his lifelong struggles with complications from rheumatic fever.
“I’m honored to be here to find out more about a man I didn’t really know,” says Javier White, his son, who was 9 when his father died. Bernstein presented White’s family with a photo of their father at the drums during a concert. The two friends played together for four years as members of the Quorum, a jazz band. “There’s always been a gap in our understanding of what his life was like here,” says his daughter, Naomi White Randolph. “But we are filling it now.”