Princeton Brings the Swing

That Was Then: June 1936

Benny Goodman and his band, shown here in Chicago, brought swing to Princeton’s senior prom in June 1936.

Chicago History Museum/Getty Images

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By John S. Weeren

Published June 9, 2018

2 min read

Musical royalty in the person of Benny Goodman — hailed by The Daily Princetonian as the “King of Swing, Sultan of Syncopation and Rajah of Rhythm” — gave the Class of 1936 a spirited sendoff at Princeton’s senior prom June 15. The clarinetist and bandleader who, in 1938, would bring jazz to Carnegie Hall was a giant of the big band era and was instrumental in making swing a national sensation.

The Class of 1935 enjoyed swing music at their first reunion.

Joseph J. Steinmetz ’27/July 3, 1936 Princeton Alumni Weekly

Young Princetonians were quick to succumb to what Goodman called “free speech in music,” and in the winter of 1936, the Prince observed that “the rage for swing music is sweeping the country and the staid Princeton atmosphere vibrates to the giddy rhythms of Benny Goodman and the rest of the bands.” That June, Reunions felt swing’s liberating influence. According to a report on the Class of 1935’s “Thirsty Firsty,” the “swing band was tremendously popular and will be in evidence again next year.”

Goodman’s 14-member band included jazz greats such as Gene Krupa, the “dynamic parchment pounder who,” the Prince declared, “is acknowledged the greatest rhythm percussionist in the world”; trumpeter Bunny Berigan; and pianist Jess Stacy. But it was vocalist Helen Ward, described by The New York Times as “essential to the Goodman band’s early success,” who was the most enchanting of the night’s performers. She did herself no harm by flattering her hosts. “Out West,” she told a star-struck Prince reporter, “the boys dance so ungracefully, hopping around and not being a bit smooth,” adding that “men here are so much more sophisticated and suave.”

Ward also captured the je ne sais quoi of swing: “I really don’t know just why I like swing music, except that it stirs me up and appeals to me more than any other kind of jazz. It just makes me sing.” The formally attired couples who danced beneath illuminated crystal balls in Princeton’s gym from 11 p.m. to 4 a.m. expressed enthusiastic agreement with their feet.  

John S. Weeren is founding director of Princeton Writes and a former assistant University archivist.


LISTEN to a Triangle Club Jazz Band tune from the 1940s

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