When professor emeritus Toni Morrison won the Nobel Prize for literature in 1993, the award committee described her writing as “characterized by visionary force and poetic import” and said that her novels give “life to an essential aspect of American reality.” In her latest book,God Help the Child, she explores the complex effect that racism has on the psyche, echoing the themes of her first novel, The Bluest Eye, about an African American girl who desperately wants blue eyes. God Help the Child tells the story of a woman called Sweetness and her daughter, Lula Ann, whose “midnight-black” skin horrifies her mother from the moment of her birth:
It didn’t take more than an hour after they pulled her out from between my legs for me to realize something was wrong. Really wrong. She was so black she scared me. Midnight black, Sudanese black. I’m light-skinned, with good hair, what we call high yellow, and so is Lula Ann’s father. Ain’t nobody in my family anywhere near that color.
As a child, Lula Ann tells a lie to gain her mother’s approval and ends up sending an innocent woman to jail. Years later, plagued by the guilt and half-veiled insecurities of her past, Lula Ann abandons everything that reminds her of her childhood and remakes herself — changing her name to Bride and wearing only white — but her childhood cannot be escaped so easily. Sweetness says in the novel, “I should have known all along. What you do to children matters. And they might never forget.”
Publisher’s Weekly writes, “This haunting novel displays a profound understanding of American culture and an unwavering sense of justice and forgiveness.”