Baroque Modernity: An Aesthetics of Theater

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By Joseph Cermatori ’05

Published May 17, 2021

Cermatori connects 17th-century Baroque style — characterized by adornment, excess, and spectacle — to theatrical innovation at the turn of the 20th century. Paying particular attention to avant garde thinkers, Cermatori argues for an enduring tradition of Baroque performance.

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Tod Williams ’65 *67 stands in front of the Brooklyn Bridge.
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