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Explodity: Sound, Image, and Word in Russian Futurist Book Art

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By Nancy Perloff ’78

Published March 30, 2017

The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. In Explodity (Getty Publications), by Nancy Perloff ’78, examines the profound differences between the Russian avant-garde and Western art movements and the wide-ranging legacy of these books.

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Terri Sewell ’86 at the Birmingham Civil Rights Institute, stands next to a portrait of civil rights leader John Lewis.
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