Mute Poetry, Speaking Pictures

Published Jan. 21, 2016

(Princeton University Press) Examining the long relationship between poetry and pictures, primarily from antiquity to the renaissance, Barkan notices that the comparison of poetry and painting often leads to advocating one at the expense of the other. He argues that the interaction really indicates a poet’s desire for the visual and the painter’s for the verbal. Barkan is Class of 1943 University Professor and chair of the comparative literature department.

Paw in print

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Tod Williams ’65 *67 stands in front of the Brooklyn Bridge.
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