Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria

In the years before the outbreak of Nigerian civil war in 1967, a group of students inaugurated “postcolonial modernism” in newly independent Nigeria. In Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria, Chika Okeke-Agulu, a professor of art and archaeology at Princeton, explores how these students and other young Nigerian artists translated the experiences of decolonization into a distinctive “postcolonial modernism” that has continued to inform the work of major Nigerian artists. 

Paw in print

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Tod Williams ’65 *67 stands in front of the Brooklyn Bridge.
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July 2026

Architect Tod Williams ’65 *67 reflects on the Obama Presidential Center; rain and revelry at Reunions.