REMEX: Toward an Art History of the NAFTA Era

Placeholder author icon
By Amy Sara Carroll ’90

Published Feb. 19, 2018

Amy Sarah Carroll ’90 examines the art produced in the era of NAFTA (1994-2008) in Mexico City and along the U.S.-Mexico border in REMEX (University of Texas Press), focusing on how artists express the city, women, and the border.

Paw in print

Image
An inside look up the inside of a building, with four floors and a dinosaur skeleton visible.
The Latest Issue

April 2026

Inside the new ES and SEAS complex; kudos for austerity; jazz at Princeton.