
REMEX: Toward an Art History of the NAFTA Era
Amy Sarah Carroll ’90 examines the art produced in the era of NAFTA (1994-2008) in Mexico City and along the U.S.-Mexico border in REMEX (University of Texas Press), focusing on how artists express the city, women, and the border.

Paw in print
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February 2026
Lives Lived & Lost in 2025, Saying ’yes’ to more housing; AI startup stars
