REMEX: Toward an Art History of the NAFTA Era

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By Amy Sara Carroll ’90

Published Feb. 19, 2018

Amy Sarah Carroll ’90 examines the art produced in the era of NAFTA (1994-2008) in Mexico City and along the U.S.-Mexico border in REMEX (University of Texas Press), focusing on how artists express the city, women, and the border.

Paw in print

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Tod Williams ’65 *67 stands in front of the Brooklyn Bridge.
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