REMEX: Toward an Art History of the NAFTA Era

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By Amy Sara Carroll ’90

Published Dec. 10, 2018

REMEX (University of Texas Press) examines the effect NAFTA had on art in Mexico and near the U.S.-Mexican border, distilling artworks from a variety of media into the sections “City”, “Woman”, and “Border.”

Paw in print

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Tod Williams ’65 *67 stands in front of the Brooklyn Bridge.
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