Turning Pointe: How a New Generation of Dancers Is Saving Ballet From Itself

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By Chloe Angyal ’09

Published Jan. 26, 2021

Chloe Angyal ’09 interviews almost 100 members of the American ballet community throughout 2020 and reports on the state of an artform confronting its enduring gender, race, and class inequities in Turning Pointe.

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Tod Williams ’65 *67 stands in front of the Brooklyn Bridge.
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