An Art Professor Who Knew the Real Thing When He Saw It
Charles Rufus Morey (1877–1955)
Charles Rufus Morey (1877–1955)
“What I really wanted was to write on my own terms without having time or format constraints imposed on my stories”
‘The bigness is a challenge in a whole host of ways,’ said museum director James Steward
‘It’s so important that we hear really honest stories about what people are going through’
Lagemann’s sculptures maintain an abstract quality that lends lightness, energy, and accessibility
As lead curator, Albion teaches the public about the intelligence community
The technique has roots in China and became popular in 15th century Turkey
Zimmerman continues to provoke with levity and darkness
In ‘The Wounded World,’ Williams uncovers Du Bois’ complex feelings about Black military participation
Mackey was on the road almost constantly during the winter and spring, bringing several works to the stage at last
The University’s numismatics collection connects scholars to the past with valuable research tools
Six of the items are antiquities on loan from Edoardo Almagià ’73, according to documents
Visiting fellow Kamila Shamsie says contemporary writers are using the Greek classics in different ways
More than 25 new pilots and partnerships have launched since the council was formed
After working at Christie’s, Provost leads a nonprofit that loans artworks to about 220 museums around the country
‘All the Beauty and the Bloodshed’ tells the story of Oxycontin activist Nan Goldin
Constance Hale ’79 and Malcolm Ryder ’76 forged an artistic collaboration decades after college
A new Princeton University Library exhibition on Toni Morrison reveals never-before-seen material on her creative process and day-to-day life
‘It was surprising to me that a company focused on ballet didn’t exist on our campus,’ said co-founder Elizabeth Rosen ’10